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Dragon Moon Press is pleased to announce that addition of Toothless to the publishing roster. A truly unique literary work, we are happy to have it on our list!

About the bookToothless:

Toothless is an epic tale of war and redemption set in 12th century Europe. An ancient evil is on the march. An army of demons and undead rampages across the countryside, spreading death and destruction. Judgment has come. The world of the living teeters on the edge of ruin.

One knight, a failed Templar, returns to the battlefield to avenge his wife and daughter. The dice are cast against him, and he is slain only to rise in service to the very evil that he hoped to destroy.

He is a gifted minion.

But life is not done with him yet.

About JP Moore:
J. P. Moore writes in southern New Jersey, which is a long way from the settings of his novels and stories. He has fond memories of a childhood in the Pine Barrens, however, where endless tracks of mossy wilderness informed the spirit behind his fiction.

Moore digs for the streams of mythology and folklore that run beneath day-to-day life. Pulling them forth, Moore makes prime motivations and manifest realities of these undercurrents. He finds his characters as bystanders and transforms them into heroes and heroines as they face horrific enemies. Moore’s settings are on the brink. Their histories are lost, or misunderstood. Their futures are uncertain.

All of the heroes are gone.

Only the unlikely heroes are left.

For more information about JP or Toothless visit his website at: http://www.jpmooreonline.com/

Last Updated (Tuesday, 02 March 2010 23:54)

 
9781896944999Solomon's Grave has made the Bram Stoker Award's Preliminary ballot for Superior Achievement in a First Novel.
  
UPDATE: Solomon's Grave makes the FINAL ballot, for an official nomination!
  
Voting on this ballot will take place over the next 2 weeks, with all Active HWA members voting (myself included). The top works in each category will then be placed on the Final ballot (to be announced mind-February). Voting will then be done again on this Final ballot, and the winner in each category announced at the HWA's Bram Stoker Banquet held in conjunction with the World Horror Convention in Brighton, England (goes overseas occasionally) March 25 - 28, 2010.
Superior Achievement in a First Novel
DAMNABLE by Hank Schwaeble (Jove)
THE BLACK ACT by Louise Bohmer (Library of Horror)
SLAUGHTER by Marcus Griffin (Alexandrian Archives Publishing)
BREATHERS by S. G. Browne (Broadway Books)
THE LITTLE SLEEP by Paul Tremblay (Henry Holt)
SOLOMON’S GRAVE by Daniel G. Keohane (Dragon Moon Press)
DISMEMBER by Daniel Pyle (Wild Child)
SLIGHTS by Kaaron Warren (Angry Robot)
THE DEAD PATH by Stephen M. Irwin (Hachette Australia)
THE FOREST OF HANDS AND TEETH by Carrie Ryan (Delacorte Press/Random House)

Last Updated (Tuesday, 02 March 2010 23:30)

 

PI058021 2. Don’t send off your submission and immediately follow up with a "did you get it?" email.

I really shouldn’t have to say it, but it happens all the time. Give the publisher time to respond. Many publishers will tell you how long it should take to get a response to you... but NONE of them will say "43 seconds".

Just don’t do it. If you feel you must write the email, do. Then delete it, or que it for delivery in a month. If you think something went really wrong, wait a few days and then follow up with a polite, professional note requesting confirmation of receipt. That’s it. Don’t engage any further unless engaged first. Then be patient. Editors, and agents, deal with a tonne of email and alot of that is submissions. It's hard work. Give them the time to do it. If you continue to pester them, you'll get labelled "high maintenance", which is a valid reason for rejection but has nothing to do with the quality of your work. I've certainly used it as a valid excuse. I know editors who've done it. Authors face enough challenges to publication... don't make this one of them.

Last Updated (Tuesday, 02 February 2010 22:58)

 

Alien_eyeballBreaking News: Dragon Moon Press Announcement

FEB 01, 2010—Dragon Moon Press, publisher of science fiction and fantasy, announced the promotion of editor-in-charge Gabrielle Harbowy to associate publisher.

"Gabrielle has been an asset to Dragon Moon Press since her hire in 2006. She consistently, and with a sense of humour, edits our manuscripts into great works, and interacts with our authors graciously and with deftness," said publisher Gwen Gades. "Gabrielle will continue her editorial responsibilities, and she will also begin to take a larger role in the operations end of Dragon Moon Press."

Gabrielle Harbowy joined Dragon Moon Press as a freelance editor in 2006. She was promoted to Editor-in-Charge in 2008, and currently oversees submissions and editing in addition to her ongoing freelance work. She is a vocal resource for writers via her blog (www.gabrielle-edits.com), her connections to the podcast fiction community, and her appearance as a panel participant at various genre and industry conventions and conferences.

Dragon Moon Press has exciting releases lined up for 2010, including works by more great new authors and award-nominated authors of podcast fiction, and anticipated sequels. Catch Dragon Moon authors and representatives at Ad Astra (Toronto, Ontario, April 9-11), Balticon (Baltimore, Maryland, May 28-31), AussieCon4 (Melbourne, Australia, Sept 2-6) and at other conventions and events around the world.

For more information, contact Gabrielle Harbowy at This e-mail address is being protected from spambots. You need JavaScript enabled to view it

 

1. Read the Submission Guidelines of prospective publishers.

READ, don’t skim. Make notes if you need to, then FOLLOW them to the letter.

Sounds like it should be a simple thing--so simple I shouldn’t even have to write it, but it’s a major pet peeve with most of us publishers. We spend a fair amount of time trying to articulate what we are looking for, and that might not be the same thing as the next publisher. There are two things to really pay attention to: WHAT the publisher wants, and HOW the publisher wants it. Get one of those two wrong and you’ll find yourself automatically in the reject pile. Each publisher will have slightly different requirements. That means you may find yourself tweaking your manuscript over and over for the submission process. That is simply part of the "job", so accept it and do it. It shouldn’t be too onerous. (publishers are fairly consistent in how to submit, generally speaking--there shouldn't be anything too outrageous in their requirements. If there is it should raise a red flag.)

Let me repeat: FOLLOW the publishers instructions to the letter!

We get manuscripts all the time that are completely inappropriate for what we publish. Science textbooks, religious dogma, poetry, kids books... all sorts of things that are just not what we do. So all it does is waste our time sending an automatic rejection. Plus publishers sometimes change their needs to fill a hole in their program, so last week they may have been accepting book type X and today they are not. That’s simply part of the process. Some publishers only allow submissions at a particular time of year, or not at all. Respect their guidelines.

Publishers are looking for something specific. That’s not to say we won’t sign up something outside of our general guidelines if there are valid reasons for publishing it. But generally speaking, what we want is what we want, for whatever reason. In a way you have to view it as a competition. Your book is not unique (the story may be, but the fact that you have a book that fits within a specific category means it’s not unique as a product), so while you will want it to stand out on merit, you don’t want it to stand out because it’s inappropriate. Then it just becomes target practice.

Each publisher has specific needs as to HOW they want a manuscript submitted. Even if those requirements seem odd (you know the type... "before submitting your manuscript, please stand and tap your heels together three times while repeating "I am a great author"), DO IT. Follow instructions to the letter. Do NOT deviate. If the publisher wants the submission printed out in a purple cursive font, then do it. Or don’t and suffer an immediate rejection. Most publishers get so many submissions they are quite satisfied to reject a manuscript for non-conformity to all requirements. Now that’s not to say that most have odd requirements. Most don’t. Usually it’s just format type, email or hardcopy, or font sizes etc. Fairly straightforward. But follow those rules because that’s what they are--I know they are called "guidelines" but they are rules.

The key to remember when submitting to a publisher is that you are submitting a proposal for partnership, because that’s what a publishing contract gets you--a partnership with the publisher. Gone are the days when you signed off and then did nothing more than write the book. Now you are a partner in the success of the book. You need to have that mind-set right at the start. If you do, then odds are better that you will survive the submission process.

(Reminder: these are numbered, but are really in no particular order).

Stay tuned for the next installment... Word Count!

Last Updated (Tuesday, 02 February 2010 22:59)

 
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