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9781896944999Solomon's Grave has made the Bram Stoker Award's Preliminary ballot for Superior Achievement in a First Novel.
  
Note that this is the preliminary ballot, based on individual recommendations from HWA members. It's not considered "nominated" for the Bram Stoker Award yet - it needs to make it to the Final Ballot for that to be true. 
  
Voting on this ballot will take place over the next 2 weeks, with all Active HWA members voting (myself included). The top works in each category will then be placed on the Final ballot (to be announced mind-February). Voting will then be done again on this Final ballot, and the winner in each category announced at the HWA's Bram Stoker Banquet held in conjunction with the World Horror Convention in Brighton, England (goes overseas occasionally) March 25 - 28, 2010.
Superior Achievement in a First Novel
DAMNABLE by Hank Schwaeble (Jove)
THE BLACK ACT by Louise Bohmer (Library of Horror)
SLAUGHTER by Marcus Griffin (Alexandrian Archives Publishing)
BREATHERS by S. G. Browne (Broadway Books)
THE LITTLE SLEEP by Paul Tremblay (Henry Holt)
SOLOMON’S GRAVE by Daniel G. Keohane (Dragon Moon Press)
DISMEMBER by Daniel Pyle (Wild Child)
SLIGHTS by Kaaron Warren (Angry Robot)
THE DEAD PATH by Stephen M. Irwin (Hachette Australia)
THE FOREST OF HANDS AND TEETH by Carrie Ryan (Delacorte Press/Random House)

Last Updated (Wednesday, 03 February 2010 18:42)

 

Alien_eyeballBreaking News: Dragon Moon Press Announcement

FEB 01, 2010—Dragon Moon Press, publisher of science fiction and fantasy, announced the promotion of editor-in-charge Gabrielle Harbowy to associate publisher.

"Gabrielle has been an asset to Dragon Moon Press since her hire in 2006. She consistently, and with a sense of humour, edits our manuscripts into great works, and interacts with our authors graciously and with deftness," said publisher Gwen Gades. "Gabrielle will continue her editorial responsibilities, and she will also begin to take a larger role in the operations end of Dragon Moon Press."

Gabrielle Harbowy joined Dragon Moon Press as a freelance editor in 2006. She was promoted to Editor-in-Charge in 2008, and currently oversees submissions and editing in addition to her ongoing freelance work. She is a vocal resource for writers via her blog (www.gabrielle-edits.com), her connections to the podcast fiction community, and her appearance as a panel participant at various genre and industry conventions and conferences.

Dragon Moon Press has exciting releases lined up for 2010, including works by more great new authors and award-nominated authors of podcast fiction, and anticipated sequels. Catch Dragon Moon authors and representatives at Ad Astra (Toronto, Ontario, April 9-11), Balticon (Baltimore, Maryland, May 28-31), AussieCon4 (Melbourne, Australia, Sept 2-6) and at other conventions and events around the world.

For more information, contact Gabrielle Harbowy at This e-mail address is being protected from spambots. You need JavaScript enabled to view it

 

1. Read the Submission Guidelines of prospective publishers.

READ, don’t skim. Make notes if you need to, then FOLLOW them to the letter.

Sounds like it should be a simple thing--so simple I shouldn’t even have to write it, but it’s a major pet peeve with most of us publishers. We spend a fair amount of time trying to articulate what we are looking for, and that might not be the same thing as the next publisher. There are two things to really pay attention to: WHAT the publisher wants, and HOW the publisher wants it. Get one of those two wrong and you’ll find yourself automatically in the reject pile. Each publisher will have slightly different requirements. That means you may find yourself tweaking your manuscript over and over for the submission process. That is simply part of the "job", so accept it and do it. It shouldn’t be too onerous. (publishers are fairly consistent in how to submit, generally speaking--there shouldn't be anything too outrageous in their requirements. If there is it should raise a red flag.)

Let me repeat: FOLLOW the publishers instructions to the letter!

We get manuscripts all the time that are completely inappropriate for what we publish. Science textbooks, religious dogma, poetry, kids books... all sorts of things that are just not what we do. So all it does is waste our time sending an automatic rejection. Plus publishers sometimes change their needs to fill a hole in their program, so last week they may have been accepting book type X and today they are not. That’s simply part of the process. Some publishers only allow submissions at a particular time of year, or not at all. Respect their guidelines.

Publishers are looking for something specific. That’s not to say we won’t sign up something outside of our general guidelines if there are valid reasons for publishing it. But generally speaking, what we want is what we want, for whatever reason. In a way you have to view it as a competition. Your book is not unique (the story may be, but the fact that you have a book that fits within a specific category means it’s not unique as a product), so while you will want it to stand out on merit, you don’t want it to stand out because it’s inappropriate. Then it just becomes target practice.

Each publisher has specific needs as to HOW they want a manuscript submitted. Even if those requirements seem odd (you know the type... "before submitting your manuscript, please stand and tap your heels together three times while repeating "I am a great author"), DO IT. Follow instructions to the letter. Do NOT deviate. If the publisher wants the submission printed out in a purple cursive font, then do it. Or don’t and suffer an immediate rejection. Most publishers get so many submissions they are quite satisfied to reject a manuscript for non-conformity to all requirements. Now that’s not to say that most have odd requirements. Most don’t. Usually it’s just format type, email or hardcopy, or font sizes etc. Fairly straightforward. But follow those rules because that’s what they are--I know they are called "guidelines" but they are rules.

The key to remember when submitting to a publisher is that you are submitting a proposal for partnership, because that’s what a publishing contract gets you--a partnership with the publisher. Gone are the days when you signed off and then did nothing more than write the book. Now you are a partner in the success of the book. You need to have that mind-set right at the start. If you do, then odds are better that you will survive the submission process.

(Reminder: these are numbered, but are really in no particular order).

Stay tuned for the next installment... Word Count!

Last Updated (Tuesday, 02 February 2010 22:59)

 

PI058021 2. Don’t send off your submission and immediately follow up with a "did you get it?" email.

I really shouldn’t have to say it, but it happens all the time. Give the publisher time to respond. Many publishers will tell you how long it should take to get a response to you... but NONE of them will say "43 seconds".

Just don’t do it. If you feel you must write the email, do. Then delete it, or que it for delivery in a month. If you think something went really wrong, wait a few days and then follow up with a polite, professional note requesting confirmation of receipt. That’s it. Don’t engage any further unless engaged first. Then be patient. Editors, and agents, deal with a tonne of email and alot of that is submissions. It's hard work. Give them the time to do it. If you continue to pester them, you'll get labelled "high maintenance", which is a valid reason for rejection but has nothing to do with the quality of your work. I've certainly used it as a valid excuse. I know editors who've done it. Authors face enough challenges to publication... don't make this one of them.

Last Updated (Tuesday, 02 February 2010 22:58)

 

Gwen’s Book Manuscript Submission Rules

A guide to increasing your chances of publication with your chosen publisher.

 

There are some really easy rules to follow when submitting your book for publication. You may find that others have a different opinion as to what is important, but after more than 15 years of reviewing submissions and publishing books, here’s my opinion on the process. Let me re-stress that. THIS IS ALL MY OPINION. I sent out to the Twitterverse a question on what people wanted me to talk about, and this was the number one requested topic. So, in my own way I’m serving up what you want. Do with it what you will, but I do hope that it will help in some small way get you on the road to publication.

 There are a couple of pre-rules you should first address as a writer (you may note that I will use different language in these earlier posts to later posts as we move on to other topics). First is that I will use "writer" as a generic term simply meaning "unpublished writer". Once you achieve publication you move on to the land of "author." This to me is a logical progression, because being an author today involves a lot more than just writing. That though, will come up in later posts.

 

Before Submitting to Publishers: The Pre-Rules

 Pre-rule 1. Write a book--a complete book. If it’s a series, you should have at least a full synopsis for each subsequent book. If this is your "first" book heading out to submission try to sell a standalone--or a standalone with potential. Trying to sell a series is difficult at the best of times and since you are an unknown quantity odds are really good you’ll get rejected if it’s presented as an incomplete series. The risk factor is simply too high for most publishers. Save the series for when you are established as an author.

Pre-rule 2. Edit the book yourself several times.

Pre-rule 3. Run spell check. Seriously. While not error-proof, it should give you a general run through and maybe catch obvious errors.

Pre-rule 4. Turn on the grammar function of your word processor and check to see what it says. I’m not advocating that you change everything to match the programs "rules" (because I really don’t want you to do that), but I do want you to LOOK at the suggestions it makes--the program has good reasons for making those suggestions.

Pre-rule 5. Send the book out to critique groups, peer review, writer’s groups etc.

Pre-rule 6. Re-edit based on feedback.

Pre-rule 7. Put the book away for a period of time. Say 30 days. Work on something else. Don’t peek, don’t tweak, don’t even think about it. Spend your time working on Pre-rule 8.

Pre-rule 8. Start building your community. That means social networking: Facebook, Twitter (forgive me the prod, but go buy Tee Morris’ All a Twitter for help on getting started with Twitter, and start building your website. The sooner you do that, the better. You can do it blog style for free with a number of services out there, but do invest in your own domain name and email address.

Pre-rule 9. Re-read your manuscript and polish it up one last time. Tweak your synopsis (keep it short!).

Pre-rule 10. Decide on your publication route (I’m assuming you are choosing to attempt publication with a traditional publisher at this time otherwise you wouldn’t be interested in submission guidelines), and build a plan to achieve publication, as well as success after publication (a general plan!).

Last Updated (Saturday, 09 January 2010 18:33)

 
Gabrielle's Views
  • Ten Tips for Formatting Your Electronic Submission
    When you’re sending a manuscript file electronically, there are some formatting decisions you have to make. Some...
  • The Last-Glance Editing Checklist
    Consistency is a big part of polish. Manuscripts with inconsistency issues will look sloppy and careless no matter how...
  • Promoted to Associate Publisher
    Breaking News: Dragon Moon Press Announcement FEB 01, 2010—Dragon Moon Press, publisher of science fiction and...
  • Because the answer can be no
    Have you ever wondered what would happen if you found out that you were a wizard? What about if you learned that the...
  • SF Writers Conference
    I’ve been invited to participate in the San Francisco Writers Conference, February 12-14 in downtown San...
  • Slush Rush Wrap-up
    Initial responses have now been sent on all the queries I received during the Dragon Moon Press open submissions period....
  • The Boom Effect
    The Boom Effect is an auction to raise money for the trust fund for Tee Morris’s daughter, who bears the...
  • Query Critiques
    An excellent manuscript will outshine a not-so-great query letter, but your query is still your first chance to make a...
  • Patience, grasshoppers…
    Several times on this blog and in interviews elsewhere, I’ve mentioned that publishing looks like a very...
  • On a personal note…
    I met Tee Morris my very first day of college. He helped me move into the dorm for marching band camp, and when an...
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